{"id":342663,"date":"2019-09-10T10:27:51","date_gmt":"2019-09-10T09:27:51","guid":{"rendered":"https:\/\/theaoi.com\/?post_type=product&p=342663"},"modified":"2025-02-28T17:26:15","modified_gmt":"2025-02-28T17:26:15","slug":"varoom-40","status":"publish","type":"product","link":"https:\/\/theaoi.com\/product\/varoom-40\/","title":{"rendered":"Varoom 40"},"content":{"rendered":"

Varoom 40 The Fantasy Issue:
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Creating believable fantasy worlds is the illustrator\u2019s strong suit. With a command of narrative and visual language, illustrators can use the space they occupy \u2013 page, screen or venue \u2013 to transport us back and forward in time and present us with impossible scenarios.<\/p>\n

Designed by Fraser Muggeridge Studio and cover illustration in 4 colourways by Yehrin Tong, Varoom 40 is fascinating look at illustrators’ approach to fantasy.<\/p>\n

Varoom 40 orders will be mailed early October.<\/p>\n

‘An essential platform’<\/em> \u2013 It\u2019s Nice That<\/a><\/p>\n

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Features:<\/p>\n

Cloak of Fantasy<\/strong> Victo Ngai talks to Ritupriya Basu about her precisely orchestrated work.<\/p>\n

Digital Romance <\/strong>Alix-Rose Cowie steps into the uncanny, sensual interiors of Ram Han.<\/p>\n

Hail Herman Inclusus<\/strong> The strange alter ego of Stuart Kolakovic by Paul Gravett.<\/p>\n

Sewn Lore<\/strong> Beau Brannick on her choice of embroidery to create images and how sewing has helped her mental health.<\/p>\n

Digital Fantasy from Messy Reality<\/strong>\u00a0Independent games made by small studios are taking the lead with daring design, story and character development discovers Billie Muraben.<\/p>\n

Island Life <\/strong>Tianhua Mao\u2019s Puffisland<\/em> started as a book, but has become much more; it\u2019s an expansive imaginary world of epic landscapes and microorganisms.<\/p>\n

In Rapture<\/strong>\u00a0Dan Pinchbeck, Creative Director of The Chinese Room explains how the team created the eerily real dystopian fantasy, Everybody\u2019s Gone to the Rapture.<\/p>\n

One Space Eaten by Another Space <\/strong>Wei Shao tells\u00a0Luise Vormittagabout her interest in urban spaces and their corresponding functions.<\/p>\n

New Gothic <\/strong>Paul X. Johnson introduces his latest work<\/p>\n

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Illustration Yehrin Tong. Design Aldo Caprini at Fraser Muggeridge Studio.<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

The Fantasy issue<\/p>\n","protected":false},"featured_media":1026460,"template":"","meta":{"_acf_changed":false},"product_brand":[],"product_cat":[1180],"product_tag":[537],"class_list":{"0":"post-342663","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-publications","7":"product_tag-no-dd","8":"member-discount","9":"discount-restricted","11":"first","12":"instock","13":"shipping-taxable","14":"purchasable","15":"product-type-simple"},"booking_location":null,"booking_location_type":null,"booking_duration":null,"booking_duration_unit":null,"booking_buffer":null,"booking_cost":null,"booking_resources":null,"exclude_global_add_ons":[],"addons":[],"acf":[],"_links":{"self":[{"href":"https:\/\/theaoi.com\/wp-json\/wp\/v2\/product\/342663","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theaoi.com\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/theaoi.com\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/theaoi.com\/wp-json\/wp\/v2\/media\/1026460"}],"wp:attachment":[{"href":"https:\/\/theaoi.com\/wp-json\/wp\/v2\/media?parent=342663"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/theaoi.com\/wp-json\/wp\/v2\/product_brand?post=342663"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/theaoi.com\/wp-json\/wp\/v2\/product_cat?post=342663"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/theaoi.com\/wp-json\/wp\/v2\/product_tag?post=342663"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}